Unit HISTORY OF MODERN ART I
- Course
- Archaeology and history of art
- Study-unit Code
- GP000026
- Curriculum
- Generico
- Teacher
- Laura Teza
- Teachers
-
- Laura Teza
- Hours
- 36 ore - Laura Teza
- CFU
- 6
- Course Regulation
- Coorte 2019
- Offered
- 2020/21
- Learning activities
- Affine/integrativa
- Area
- Attività formative affini o integrative
- Academic discipline
- L-ART/02
- Type of study-unit
- Obbligatorio (Required)
- Type of learning activities
- Attività formativa monodisciplinare
- Language of instruction
- Italian
- Contents
- Course of lessons dedicated to the analysis and interpretation of the profile of Pietro Perugino with particular attention to his pictorial production of the nineties of the fifteenth century.
- Reference texts
- P. Scarpellini, Perugino, Electa, Milano, 1991, pp. 9-57.
P. Scarpellini, Pietro Perugino e la decorazione della Sala dell’Udienza, in Il Collegio del Cambio in Perugia, Arti Grafiche, Amilcare Pizzi, Milano, 1998, pp. 67-106.
R. Hiller von Gaertringen, Uso e riuso del cartone nell’opera del Perugino. L’arte fra vita contemplativa e produttività, in Pietro Vannucci il Perugino, Atti del Convegno internazionale di studio, (Perugia, 25-28 ottobre 2000), a cura di L. Teza, Perugia, Volumnia Editrice, 2004, pp. 335-350. Other bibliographic entries will be added during the lessons. - Educational objectives
- A more extensive historical-critical awareness of the formative and figurative process that led Pietro Vannucci known as Perugino to become the most appreciated painter in Italy in the 1990s. Knowledge of the sources, reading and interpretation of the main critical voices that have faced this path in order to acquire a thorough scientific knowledge of historical-figurative problems and organizational methods that have characterized Perugino's career.
- Prerequisites
- Good knowledge of the main themes of Renaissance art.
- Teaching methods
- Lectures with interactive dynamics and frequent student involvement through seminars. Educational visits to the National Gallery of Umbria and to the main regional and national monuments of Perugia.
- Extended program
- The Florentine training of Pietro Perugino. Historical-critical debate on its formation. His first works in Umbria.
The construction site of the Sistine Chapel. The Florentine works of the 90s. The return to Umbria: the Collegio del Cambio and the Polyptych of San Pietro and that of Sant'Agostino. The long-distance dialogue with his pupil Raphael.